Copying Embroidery

Sometimes clients don’t have the original image file for a design. In this case, he had the original embroidery to work from. I just took a picture of the design and measured the dimensions and digitized it from there. It was a little tricky because the stitching was distorted from wear and tear and faded. I think it came out pretty good for being a copy of stitches. I think the size could use some tweaking though. I think it came out too wide.

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When in doubt, make it work however you can

Most of what I love about my business are the interesting challenges that my clients provide me. Some of my favorites include sewing things out of the ordinary, like the AstroTurf dog bed that I make last year. Some others have been requests for embroidery on things that weren’t necessarily made to be embroidered on. Such as this car dash cover. Not only was the piece itself daunting but the embroidery they wanted on it was rather complex. This was for one of my regular clients. He does boat and auto upholstery and now offers his clients custom embroidery because he knows me. We’ve been working together intermittently for a few years now. I always welcome his projects because they challenge my sewing and embroidery skills. These one-time creative projects are the best part of my business. If I had to sew the same thing all day I would probably loose my mind.

So here is the embroidery project I had this week. This is the finished piece all ready to go. It is the dash or some cover for part of a vehicle. 20170414_100951

This is the set up I had to create just to be able to embroider this giant car cover thing. I raised my ironing board to it’s highest high then place my table top ironing board and my sleeve board on top of that to add extra height. Off on the right side, on top of the filing cabinet, I placed my sewing tote with my hoop master shirt board on top of that. This thing was not just large, but extremely heavy as well. If I had let it hang it would have surely broken my machine. 20170413_19030320170413_19032220170413_190313

This is the amazingly complex design I had to digitize for this project. I love getting to stretch my digitizing muscle. I’ve mentioned before in past post about the digitizing process. There are not many resources for learning how to digitize embroidery and the software is extremely expensive. I’ve spent the last 6 years teaching myself through trial and error.  So when I get projects like this force me to think outside the box, it helps keep my skills sharp. This design was over 30,000 stitches and had 12 color changes and 7 different colors. IMG_20170413_120406

While it was stitching I had to watch it constantly for the almost two hours it took to stitch the design. This was due to both the complexity of the design and the rig I had to keep the giant piece of material in place on the machine.

There were a few things that went wrong with this design that I will change but it looks good enough that a non-embroidery person will probably not notice. The darker gray (pewter) color I chose for the outer wreath is too dark for one. If I stitch this design again I would probably use to pewter where the black is in the wreath and a medium gray for the pewter color. The wreath just feels too dark. I also accidently put the pewter over the yellow part of the center emblem instead of the black that was supposed to be there. That happened because for some reason I thought I could save myself a thread change by replacing two of my standard threads that were already on my machine. But I forgot the design required black as well as the pewter. Both the silver accent lines inside the central design and the thin black line the wraps the bottom of the central design are way too thin. These were all 0.02mm thick and they should have been at least 0.05mm. As a result, the different patches of color are showing through in some places. The most annoying thing I messed up was the stabilizing of this design. Half way through the centerpiece the whole thing started to bow really bad. I had to add two additional layers of heavy stabilizer to compensate. I forgot about the density of the design needed a very firm platform.  That did the trick and the rest laid flat. However, I had to press the center with my iron. I placed it on a block of wood and used my wooden clapper to sandwich it in between too hard surfaces once heated. That allowed the fabric under the bulging piece to lay flat.

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Overall, this project came out alright. It’s not my best work. Some projects are like that, they just don’t want to get made and will fight you the whole time. This project was definitely a fussy project. Everything from the embroidery file not wanting to load in the machine to the wrong thread color to the thread breaking more times than I could count and for seemingly no reason. But I made it work and I think the customer will be pleased.

Akatsuki Toiletries Bag

I just love getting this kind of creative custom orders! I make a Naruto themed coin purse with the Red and White Akatsuki Cloud emblem on it. A customer asked me if I could make a rectangular shaped toiletries bag with the same emblems all over it. I have never made this type of bag before. However, there are many tutorials and patterns online for the basic design. I was able to adapt one to meet the measurements my client requested. It is a lot larger than the original design and shaped a little different but the idea is the same. It came out really awesome! I was even thinking of adding it to my regular offerings. Final bag measures 12″long x 7″ tall x 6″ deep.

This is a reference picture of the anime Naruto, this is the villain group known as the Akatsuki, they all wear the same jacket.

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Here is my Akatsuki inspired toiletries bag. I’m really happy with it. However, it was a rush job so there are a few things I probably would have done differently, had I had more time to plan it out. For example, I’m not a hundred percent pleased with the way the lining came out. Instead of doing it as a separate lining, like with a purse. I probably would have done it as a part of the main pieces and finished the inside with bias tape, that way the lining would not be loose.

Embroidering on a different place

Most people come to me with shirts or jackets or the occasional blanket to embroider. Yesterday I got this rush job from a repeat client I did 40 shirts for sometime ago. These are some industrial work aprons for some of his worker. They need to go out first thing tomorrow so I’m here at my shop getting these done. It took a bit of creative finagling to get this particular apron into my embroidery machine. I really didn’t want to have to make a patch for them. I settled on using the ever amazing Fast Frames System! This awesome hooping system has saved my life multiple times! I was lucky enough to get them with my machine. They are great for tricky, hard to hoop items. Basically it tricks your embroidery machine into think that the largest hoop is in the machine. Then it has smaller centered attachments of varying size to hoop the items.

However, even with the fast frames system I still ended up having to open one side of the pocket I was trying to embroider on. I couldn’t find the middle size hoop attachment so I had to use the larger one, which was just a little too bit for the pocket to move freely while embroidering.

Here is pictures of the process of making these for Autobahn Tint AZ

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The digitized file for Autobahn
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I ended up having to open one side of the pocket stitching
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All clipped to the Fast Frames hoop
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Completed Autobahn Embroidery
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All three Autobahn embroidered aprons